10 Examples of Aesthetic Speech

The aesthetic speech It is the composition that seeks to persuade the audience with elements that evoke sensations with lyrical, expressive and emotional resources. In them, an intention related to beauty and the construction of the discourse from a defined artistic perspective that accompanies the message is evident. For example: a man who makes a declaration of love to his fiancée with deep and beautiful phrases written in rhyme.

The word "aesthetic" comes from the Greek aesthetic and means 'sensation, perception'. It is common to use forms of language that evoke feelings and emotions, and that produce a profound impact on the listener, that moves, and that the selection of words or resources is the one that best accompanies what is wanted to be expressed. This is how many literary genres They are used in the preparation of speeches with a clear aesthetic function. For example: the song "Imagine"', by John Lennon, is a discursive expression that refers to freedom and world peace, written in verse and with a musical format (“Nothing to kill or die for/And no religion either./Imagine the whole world/living life in peace").

Aesthetic forms can also be evidenced in various types of speeches such as satire, humor, parody, cynicism, among other. Keep in mind that a speech it can be categorized as of various types depending on its nature, purposes, formal structure, etc.

• See also: emotional (or expressive) function

Non-verbal aesthetic discourse

In a formal sense, aesthetic discourse opens up other possibilities that are not verbal and that are related to various human senses and ways of perceiving and connecting with the world.

As long as it has the intention of expressing a sensation, almost every artistic product can have a discursive aesthetic intention, that is, a codified message that will be interpreted by the viewer and that will impact in an abstract way, beyond language. For example: a painting can be understood as a dramatic message that causes a feeling of complete happiness in a person who sees it, since it is what it seeks to convey without the need to use words.

Characteristics of aesthetic discourse

The aesthetic discourse makes use of literary figures to be able to express in a subtle and convincing way the ideas and sensations such as pain, hope, sadness or happiness. That is why it has specific characteristics that make it unique and that can be taken to judge its effectiveness and purpose. Some features are:

• Prioritize emotions before reason. It focuses on appealing to the sensitive experience of people and universal feelings that reflect the reality of existence and life.

• Use figurative language. It makes use of literary figures that can better show and graph the ideas that you want to express, comparing them with everyday or imaginary issues. It is common to use references to make the message more effective, such as equating a decision to be made as the largest internal war.
• Propose your own reality. It builds a universe of meanings in which the author proposes a particular approach and, in front of the viewer, uses his own references and life experience to understand each other and understand a specific meaning that can vary depending on who is looking at it and where it comes from that person. It is possible that it refers to personal experiences or the inner world of the person who makes the speech.
• is suggestive. It aims to establish in the audience a sensation and a network of ideas that can change their minds and their sensations regarding very different things about the world or about ways of thinking about existence.
• Approaches an artistic concept. He makes use of various material or symbolic formats to express ideas and appeals to figures that are more typical of art and elements that can be considered highly refined. It aims to be memorable, to remain engraved in the hearts and minds of those who are exposed to it; be unsurpassed in the way things are said.

Examples of aesthetic speech

1. Fragment of the speech on motherhood from the book Dear Ijeawele. How to educate in feminism, by Chimamanda Ngozi Adichie.

Be a whole person. Motherhood is a wonderful gift, but don't define yourself solely by it. Be a whole person. It will benefit your daughter. Marlene Sanders, pioneering American journalist (and mother of a child) who was the first woman to report since Vietnam during the war, he once advised another younger journalist: "Never apologize for to work. You like what you do, and liking what you do is a fantastic gift for your children.”

I find that wise and moving advice. You don't even have to like your job, you just have to like what work does for you: the confidence and fulfillment that comes from working for a living. I'm not surprised your sister-in-law thinks you should be a "traditional" mom and stay home, that Chudi can afford to give up a "double-income" family.

1. Fragment of discourse on bourgeois love in the 19th century from the novel Pride and Prejudice, by Jane Austen.

It is a truth recognized by all the world that a single owner of a great fortune feels one day or another the need of a woman.

Although the feelings and opinions of a man in this situation are little known when he arrives in a neighborhood anyone, such a belief is so ingrained in the families that surround him, that they consider him the legitimate property of one and another of his daughters.

1. Fragment of the speech on poverty and responsibilities, given by the British writer J. K. Rowling at Harvard in 2008.

I would like to make it clear, parenthetically, that I do not blame my parents for their point of view. There is an expiration date for blaming your parents for leading you in the wrong direction; By the time you're old enough to take the wheel, the responsibility falls on you. Furthermore, I cannot fault my parents for hoping that I would never experience poverty. They themselves had been poor and I have been ever since. And I pretty much agree with them that it's not an ennobling experience. Poverty brings fear and stress and sometimes depression; it means a thousand little humiliations and hardships. Getting out of poverty with your own efforts, that's something to be proud of, but poverty itself is romanticized only by fools.

What I feared most for myself at your age was not poverty, but failure.

1. Fragment of the speech on feminism by actress Emma Watson at the United Nations Organization in 2014.

I started questioning gender equality a long time ago. At eight years old, for example, I wondered why they called me bossy for wanting to direct a play for our parents when the boys were not called the same. At fourteen (when I was already working in movies), I began to be sexualized by certain groups in the press. At fifteen, my girlfriends were refusing to join sports teams so as not to appear masculine. At eighteen, my male friends were unable to express their feelings. So I decided I was a feminist.

This didn't seem complicated to me, but my recent research has shown me that feminism has become an unpopular word. Women have decided not to identify themselves as feminists because, apparently, in the eyes of others, this expression makes them look aggressive, anti-male and even unattractive. Why has it become such an awkward word?

1. Fragment of the speech on the nightmares of Jorge Luis Borges in his book seven nights.

I've been rereading psychology books these days. I felt singularly disappointed. In all of them they talked about the instruments or the themes of dreams (I will be able to justify this word later) and there was no talk, what I would have wanted, about the amazingness, the strangeness of the fact that Sound.

Thus, in a psychology book that I appreciate very much, The mind of Man, Gustav Spiller, dreams were said to correspond to the lowest plane of mental activity—I I have for me that it is an error and there was talk of inconsistencies, of the disjointedness of the fables of the dreams. I want to remember Groussac and his admirable study (I wish I could remember and repeat it here) Between Dreams. Groussac, at the end of that study that is in The Intellectual Journey, I think in the second volume, says that the fact that each tomorrow we wake up sane —or relatively sane, let's say— after having passed through that zone of shadows, through those labyrinths of dreams.

1. Fragment of the dramatic speech of the character of Hamlet, by William Shakespeare.

Oh, that this solid, too solid meat could melt, crumble, and dissolve into dew! Or that the Eternal had not fixed his law against suicide! Oh God! How tiresome, stale, vain and useless all the practices of this world seem to me! Shame on it! oh! Shame! It is a garden of unweeded weeds, grown for seed; Products of a coarse and bitter nature continually occupy it... What has come to this! Only two months dead!… No, not so much; not two! A King so excellent that he was compared to this as Hyperion to a satyr! So affectionate towards my mother, that he would not have allowed the heavenly auras to brush his face too violently! Heaven and earth! Will it have to be remembered?

1. Fragment of Pausanias' speech on love in the play The banquet, of Plato

It is necessary to treat love like philosophy and virtue, and that its laws tend to the same end, if we want it to be honest to favor the one who loves us; because if the lover and the beloved love each other under these conditions, namely that the lover, in acknowledgment of the favors of the one he loves, be willing to render him all the services that equity allow; and that the beloved in turn, in return for the care that his mistress would have taken to make him wise and virtuous, have with him all due considerations; if the lover is truly capable of giving knowledge and virtue to the person he loves, and the loved person has a true desire to acquire instruction and wisdom; if all these conditions are verified, then it is only decorous to grant his favors to the one he loves us.

1. song snippet Let the children sing by José Luis Perales, which alludes with a musical format to the protection of children in the world.

Let the children who live in peace sing,
and those who suffer pain;
let them sing for those who will not sing
because they have silenced their voice.

1. Excerpt from Nora Ephron's speech at Wellesley College in 1996, for which she was invited to speak.

I am well aware of how easy it is to let people down on a day like this, because I remember my own graduation from Wellesley very, very well, I am sorry to say. The speaker was Santha Rama Rau, who was a writer, and I was going to be a writer. And, in fact, she had spent four years at Wellesley attending writers' conferences in the hope that she would be the beneficiary of some fantastic secret, which I never was.

1. Fragment of speech given by the character Aragorn in the saga The Lord of the rings, from J. R. R. Tolkien.

I see in your eyes the same fear that would shrink my own heart. The day could come when the value of men would decline when we would forget our companions and break the bonds of our community, but today is not that day. In which a horde of wolves and broken shields will sign the consummation of the age of men, but today is not that day. On this day we will fight. For all that your heart loves, from this good land, I call you to fight.

Follow with:

• poetic function
• aesthetic values
• Lyric
• poetic resources
• philosophical essay on beauty
• Literary essay on feminism